October 30 2014

Panel Discussion : How Are Books Bought?

At Rosemont College, the Graduate Publishing program hosted a panel discussion with both an indie bookseller and a library book-buyer on how books are bought by different channels. All publishing students attended. Here are some highlights: 

Panelists:

Marjorie HallDirector of Ludington Library in Bryn Mawr, PA

Hannah Schwartz — Owner of Children’s Book World in Haverford, PA

How do you make your decision when buying books?

HS: Being close to NYC, salespeople from publishers will come to the store so employees can read through them and look at pictures. They used to be more catalog-driven, but today’s catalogs are not as colorful and detailed, and are often online — it is better to hold and read the books before purchasing them. The buy two seasons in advance. 

MH: Libraries focus heavily on reviews from Kirkus, Publisher’s Weekly, Booklist, and Library Journal. She and the other librarians also need to pay attention to appearances on talk shows and radio stations. Purchasing books requires knowing what is popular, what is rare, what the community demographic enjoys, and what will become available in four-months’ time. They also make sure to buy non-reviewed series titles (the next book in a sequence), new and revised editions of older books, and ‘no-brainer’ authors (James Patterson, Stephen King, etc.). The opinions in reviews matter for fiction,the language matters most in non-fiction (would the average person understand?), and good translations are important across all genres.

Is there a certain amount of subjectivity to the decisions you make?

Both: Even when purchasing books for sale or lending, Hannah and Margery agreed that they will attain books they personally do not like because there will be at least one person out there who might like it.

Hannah always gets the input of her employees so that more than just her own opinion is going into it. Marjorie, has a panel of librarians and community members who all review the review journals and catalogs and make recommendations. Both make sure to compile suggestions and requests.

How would you define success for your work?

HS: For a bookstore, success is generally based on sales. Beyond that, listening to customers’ wants and needs. Success can be finding an obscure book that fits perfectly to the customer and what they may be searching for, or listening to a demand for a certain book to be sold in the store.

MH: Libraries are somewhat different in terms of success, since there aren’t really sales. Instead, one must pay attention to circulation as well as the number of reserves on a book. If a book is constantly moving in and out of the library instead of sitting on the shelf and gathering dust, or if there are suddenly dozens of holds on the same book, it is successful. These are usually signs to Marjorie that she should purchase another copy.

Do you have any advice for current and future publishers?

HS: Publish more picture books to encourage reading in children. Pay attention and edit properly. And remember that independent bookstores (and really all brick-and-mortar bookstores) are important, so they shouldn’t be forgotten, even with the boom of e-publishing.

MH: Editors and publishers need to remember their audience and the fact that they have varying interests. When something becomes a hit — like vampires, 50 Shades, dystopian — she wishes publishers would not jump the bandwagon and only publish similar titles. Like Hannah, she wants publishers to remember the libraries and their role in the book world.

October 28 2014

Top 10 Tuesday: Halloween Edition

Big thanks as always to The Broke and the Bookish blog.

I love splitting these into 5 and 5 apparently, so once more with feeling!

5 Characters I’d Be for Halloween

1. The Paper Bag Princess from The Paper Bag Princess by Robert Munsch

The Paper Bag Princess was my favorite picture book as a little girl. I was big into fantasy stories, and my mother is big into feminism, so Munsch’s classic was perfect for both of us. This photo from WhimsyDarling is a great representation!

 

2. COUPLES COSTUME! Mildred & Mortimer from Zombie in Love by Kelly DiPucchio 

Instead of a book from my childhood, Zombie in Love is a recent publication that I received at Main Point Books and fell in love with. Mortimer was so adorable! I want to make my fiance dress up with me.
Apparently the picture book has been turned into a musical by the Oregon Children’s Theatre, and I am incredibly sad that I didn’t get to see it.

 

viola

3. Viola Swamp from Miss Nelson is Missing! by Harry Allard

Where did Miss Nelson go? And who is this woman in her place?
It might be fun to dress as Miss Nelson for the first part of the night, then change into Viola Swamp later on!

 

 

4066572555_94aef1634b4. Elizabeth Bennet from Pride and Prejudice and Zombies by Jane Austen and Seth Grahame-Smith

Because Elizabeth Bennet from regular old Pride and Prejudice just isn’t cool unless she’s covered in blood and carrying a sword.

 

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5. Sophie from Howl’s Moving Castle by Diana Wynne Jones

Full disclosure: I have actually done this one. But not on Halloween — at an anime convention. Yes, that is me, with my fiance dressed as Howl. Kindly withhold all judgment.
I love Howl’s Moving Castle, both the book and the film, because of all the fantastic elements and a love story that doesn’t hold back flaws.

 

 

5 Books for the Halloween Mood!

I don’t read many scary things, because I tend to read before bedtime and that is not a smart move. However, I definitely have some applicable titles for this one

1. Which Witch? by Eva Ibbotson (middle grade)

This was my first introduction to Ibbotson’s books, and I devoured it as a child. Upon re-reading it last year, it still holds up. Which Witch? is unique and hilarious tale about Arriman the Awful who holds a contest to determine who his new bride will be. The witch who performs the darkest piece of magic will have the honor of marrying the wizard. Belladonna is madly in love with Arriman and wants to win more than anything, but she is a good witch. She cannot perform dark magic, but she will stop at nothing to win this contest. The other witches in the coven are dark and unusual, always picking on Belladonna for being so good, but they all have their own specialties and personalities.

 

2. Gossip Girl: Psycho Killer by Cecily von Ziegesar (young adult)

A ridiculous parody written by the author of the original series, Gossip Girl: Psycho Killer puts a very different spin on the rich boarding school story. Hannibal Lecter and Freddy Krueger even provided blurbs for the cover copy! In this novel, Serena and Blair decide that many Upper East Siders deserve to die, and they take it upon themselves to make it happen.

 

3. Warm Bodies by Isaac Marion (adult)

Contrary to what the movie would have you think, this book is not a YA title. Marion’s writing is astounding — there were several parts of this novel that I read aloud to people around me. Told from the perspective of R, a zombie with no memories but full cognizance of what’s going on in his zombie society. One day he saves a girl from being eaten instead of eating her. Their unnatural bond causes rifts in both the zombie and human worlds. A unique take on the classic zombie story mixed with some Romeo & Juliet.

 

4. I Hunt Killers by Barry Lyga (young adult)

Read for a Girls in Capes book club, this is a YA murder mystery told from the perspective of the son of a serial killer. Jazz is constantly trying to prove to the people in town that he is not and never will be like his father. When someone starts committing copycat murders from his dad’s original crimes, Jazz has to use his insider knowledge to find the killer and prove that he is not the killer.

 

5. White is for Witching by Helen Oyeyemi (adult)

Helen Oyeyemi is a young genius who has already written four brilliant critically acclaimed novels, and she hasn’t even hit age 30 yet. This is the sort of book I could never explain. This book has so many layers and concepts to it, so much symbolism and intricate language. There are some sentences and passages that you have to read twice  — they just make you go “wow”. It blends reality and supernatural seamlessly, and edges on disturbing, especially the last portion.

 

 

What are some of your favorite books to read for Halloween? Share any pictures of you dressed up as a book character!

October 24 2014

Book Review: GRACEFULLY GRAYSON by Ami Polonsky

        This is the story of a brave child who goes through a transformational journey of self-discovery through theatre and good people.

        Sixth-grader Grayson lost his parents at a young age, and now lives with his aunt and uncle. He never felt like he belonged anywhere, so he stays quiet and uses his imagination to draw hidden princesses in his notebook and pretend he is wearing different clothing. When a new girl joins his class, Grayson thinks he’s finally found a friend. He decides to try out for the upcoming play, The Myth of Persephone. But when Grayson auditions at the last minute for the role of Persephone, he is unprepared for what lies ahead, both at home and at school.

        This book should be on every required reading list for middle school. It should blow up the bestseller lists. It is WONDER for the LGBT community and should be shared nationwide. Grayson’s story needs to be heard.

GRACEFULLY GRAYSON will be released on November 4th of this year.

5 out of 5 stars

Learn more via Goodreads

Purchase from your local independent bookstore

Update:

My review of GRACEFULLY GRAYSON will be featured in the Winter IndieNext Children’s Picks List! 

October 16 2014

Review: ROOMS by Lauren Oliver

“The fire begins in the basement.”

Lauren Oliver’s first foray into adult fiction is both complex and impressive. I never would have guessed that her roots were in juvenile fiction had I not read several myself.

When Richard Walker dies, he is alone. His estranged ex-wife and children show up after the fact only to settle his estate and plan the funeral. Caroline, the mother, relies on the warmth of vodka to quell her bitterness. Teenage son Trenton is troubled, friendless and on the brink of suicide. Minna, there with her five-year-old daughter, battles her own demons with anger and sex.

Unbeknownst to the Walkers, they are not alone. Two ghosts reside in the structure of the old house. Alice and Sandra reveal the secrets of their own (former) lives even as they observe the secrets of the Walker family.

Out of nowhere, a new ghost appears in the house, and neither Sandra nor Alice knows why, who, or from where. Even more curious — she can communicate with Trenton. The mystery of this new ghost intertwines with the mysteries of the past, for both the living and the dead.

Though a “ghost story”, this book is much more literary than supernatural. Oliver lets the reader know her characters intimately, no holds barred, with a lot of aspects that definitely make Rooms a solid adult novel.

The pacing was excellent, quick without feeling rushed. I sat down to read and had finished half the novel before looking back up. The writing is straightforward but still eloquent, with each character having a clear and unique voice, especially the ghosts.

I will say, Alice’s timeline gets confusing sometimes. She has so many revelations that it is difficult to ascertain the order of events in her past. There were also a few parts that were unnecessarily graphic — they felt more like shock value than advancing the plot.

If you’re seeking a novel similar to the Delirium trilogy or Before I Fall, this is not the book for you. If you want an adult novel with good writing and interesting characters that reads quickly but still makes you think, then Rooms is a great pick.

4 out of 5 stars

Learn more via Goodreads

Purchase from your local independent bookstore

October 9 2014

TBT: Great Online Resources for Writers and Editors

    • New Pages: Good Reading Starts Here. News, information and guides to independent bookstores, independent publishers, literary magazines, alternative periodicals, independent record labels, alternative newsweeklies and more.
    • Duotrope. Duotrope is an established, award-winning writers’ resource, and we’re here to help you spend less time submitting so you can focus on writing.
    • Publishers Marketplace. The biggest and best dedicated marketplace for publishing professionals to find critical information and unique databases, find each other, and to do business better electronically.
    • Publishers Lunch. The industry’s “daily essential read,” now shared with more than 40,000 publishing people every day. Each report gathers together stories from all over the web and print of interest to the professional trade book community, along with original reporting, plus a little perspective and the occasional wisecrack added in.
    • Publisher’s Weekly. The what’s-what for the publishing industry. There are several free newsletters to sign up for that are sent to your inbox.
    • Literary Rambles. Spotlights children’s book authors, agents, and publishing.
    • Figment: Write Yourself In. A community where you can share your writing, connect with other readers, and discover new stories and authors. Whatever you’re into, from sonnets to mysteries, from sci-fi stories to cell phone novels, you can find it all here.
    • Local Lit. Literary events & resources in the Philadelphia area — and beyond.

 

(Note: All of these resources were recommended by literary agents and published authors that spoke at Push to Publish 2012)

October 6 2014

Writing a query? Remember these tips!

  •  You NEED a hook! Editors get dozens, possibly hundreds, of queries each week. If yours doesn’t stick out, you won’t be chosen.
  • Don’t bother suggesting a title (for an article) — the editor will take care of that part.

  • Brag about yourself! If no one knows your credentials, why would an editor choose you out of everyone else to write an article for them?

  • Make certain to include a word count and time-until-completion.

  • Write your query in the same tone and style as your article.

  • Why is this topic relevant now, or why will it be relevant at time of publication?

  • Keep your audience in mind, and address anything they may want to know or learn.

Notes taken during Introduction to Publishing Industry class. 

October 3 2014

Assignment: Interview with a Published Author

Class: Writing in the Publishing Industry

I don’t know any traditionally published authors, and I’m pretty shy so if I can avoid talking to strangers, I probably will (a major problem in my professionalism that I am working hard to rectify).

My friend Robert wrote and self-published a novella last year called The Anzhelin Legacy: Fire, which I edited. It made the most sense to interview him. I’m certainly glad I did; as expected, he gave some extensive, well-thought-out responses to my questions.

Some highlights:

A: Why did you decide to self-publish instead of go the traditional route?

R: I’ve read and seen the success stories of several self-published authors—Amanda Hocking, David Dalglish—and looked at their work, and thought that I could do a comparable job. I’m intrigued by the direct connection authors can build with their fans through 21st century social media, and I must admit that I’m attracted to the concept of having direct control over my work. Also, for me—ironically, due to my educational background – it isn’t about the money. It’s about creating a world for people to venture into and forget their own realities for a while. Traditional publishing doesn’t guarantee economic gain, of course, but it has more money behind it under normal circumstances. Beyond that, I’m interested in the economics of price points and what consumers will buy—do consumers want to spend $12.95 on a paperback at Barnes & Noble, or do they want to spend $3.99 for an electronic version of the same book?

A: Does this mean that you believe the printed books are going out of style?

R: No, not really. I actually just bought 20 or so books at a thrift store on Monday, for $3.61. I don’t believe it’s about sides, per se. I read physical books as frequently as I read digital books. It’s about convenience, really. When I’m out and about, being able to use my phone or e-reader to read thousands of books is much more convenient than carrying those books with me. When I’m at home, seeing a library of books physically present in a room can be quite a lovely sight. There’s room for both mediums, but the electronic market is torpedoing the paper market.

I do think that we could see physical books taking on more of a special significance—perhaps presents and such—as opposed to the everyday form of reading.

A: Do you have any advice for those interested in self-publishing?

R: In fact I do—and it’s something I became lax on myself—Amazon’s Kindle boards, their forums, are a place an author, or even just someone who wants to learn more about self-publishing, should visit. Many discussions go on there, especially in the Writers’ Cafe, and many self-published authors post there. I used to post there but have not been on in a while. You’ll probably see me there again soon as I get back in the swing of things.

Perhaps, also, decide what you want from your writing. Do you want to make a career out of it? If that’s what you want, doing it as an author via any route is an uphill battle, and self-publishing has its own unique backdrop: You have to be your own advertising department, your own marketing department, and your own public relations department. You have to spread the word about your work through any means you can find, and it is something that I started doing, but as my writer’s block hit, it permeated every other aspect of my publishing.

October 1 2014

“What’s the difference between literary fiction and popular fiction?
Some would say that literary fiction is for merit and popular fiction for profit,
but that’s pretty elitist isn’t it?  
I would propose that popular fiction is plot-driven, and literary fiction is character-driven.”

~Professor Richard Bank~